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Paris Conservatoire Flute Professors

The Paris Conservatoire dominated musical education in France, and in much of the developed world, from about 1860-1950. Rather than receiving individual tuition, instrumentalists were taught in a class, to which entrance was by competition. Students played in public examinations called Concours (competitions), which included a set piece and accompanied sight-reading, and were awarded grades designated First Prize (Premier prix), Second Prize, and First or Second Certificate of Merit (Accessit). A student graduated on attaining a First Prize, or earlier if satisfied with a lower grade.

The Conservatoire's official adoption of the French-modified Boehm flute in 1860 laid the foundation for the standard modern instrument

Devienne

1795-1803

Schnietzhoefer

1795-?

Hugot

1795-1803

Duverger

1795-?

Wunderlich

1803-19

Guillou

1819-29

Tulou

1829-59

Dorus

1860-68

Altès

1869-93

Taffanel

1894-1908

Hennebains

1909-14

Lafleurance

1915-19

Gaubert

1920-31

Moyse

1932-40

Crunelle

1941-69

Crunelle and Moyse

1946-48

Crunelle and Cortet (deputy)

1949-50

Rampal

1969-81

Debost

1981-90 (on leave 1989-90)

Artaud

1990-

Marion (Rampal's assistant from 1974)

1977-98

Cherrier

1998-

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